Bagaimana Nickel Boys difilmkan dalam sudut pandang orang pertama
RaMell Ross identifies more as a visual artist than a filmmaker. In his second film, Nickel Boys, he attempts a visual artist’s challenge: a feature film shot entirely from a first-person perspective. Every decade, the use of first-person camerawork resurfaces in cinema. Films like Strange Days, Doom, and Hardcore Henry have utilized this technique to … Baca Selengkapnya