Cactus Pears (Sabar Bonda) is Rohan Parashuram Kanawade’s semi-autobiographical debut feature, telling a story of queer romance amidst mourning. It is the only Indian film competing at the prestigious Sundance Film Festival. The film explores the themes of love and grief in a rural setting, inspired by Kanawade’s own experience of processing his father’s death. The movie is already historic as the first Marathi-language film to premiere at the festival.
The film, while not necessarily disruptive, carries a tenderly disruptive quality in its compelling drama, challenging societal norms around expressions of love, especially between men in Indian households. The story follows Anand, a 30-year-old Mumbai resident, as he navigates mourning rituals in his village after his father’s passing. The contrast between city life and village roots is a central theme, highlighting the complexities of modernity and tradition.
Anand’s journey reflects the struggle of duality, as he grapples with his identity as a queer man in a society that often discourages open expressions of love. The film challenges stereotypes in queer love stories, with nuanced portrayals of characters and relationships. The title, “Cactus Pears,” symbolizes the rare and challenging nature of love, mirroring the film’s subversive storytelling.
Cactus Pears is a testament to Indian indie cinema at its best, with a scrappy, authentic quality that shines through the small budget production. The film’s lead actors, Bhushaan and Suraaj, bring a natural chemistry to their roles, capturing the essence of their characters’ emotional journey. The film’s cinematography and sound design create a immersive experience, allowing audiences to connect deeply with the characters’ emotions.
Overall, Cactus Pears is a bold and poignant exploration of love, grief, and identity, challenging societal expectations and celebrating the beauty of authentic expression. Kanawade’s directorial debut is a triumph of storytelling, marking a significant milestone in Indian cinema.