Wawancara Terakhir dengan Joshua Oppenheimer

In the film, Mother (played by Tilda Swinton) is plagued by a bad dream, with Father (portrayed by Michael Shannon) by her side offering comfort. Despite her struggles, she lies to him, pretending to be okay when she clearly is not. She is burdened by the knowledge of the world’s destruction above a salt mine that lies beneath their home, with everyone dead and her husband being responsible. The couple are not innocent either, adding to Mother’s inner turmoil.

“The End” is a musical featuring six survivors living in a luxurious bunker, beneficiaries of the oil business that has kept them alive. Directed by Joshua Oppenheimer, known for his documentary “The Act of Killing,” the film explores themes of false hope and despair through the genre of musicals. The characters sing their way through their struggles, with the arrival of a new character threatening their fragile sense of safety.

Oppenheimer discusses the choice of musical genre for the story, highlighting its portrayal of false hope and passivity in the face of despair. The film’s opening scenes set the tone for the characters’ complex dynamics, with Michael Shannon’s performance as Father being particularly surprising and poignant. The cold, bunker setting contrasts with the warmth of the characters, adding to the film’s atmosphere.

The location scouting for the film was influenced by the songs and the characters’ emotional journeys, with the salt mine exteriors reflecting the cold, blueish tone of the apocalypse. The luxury wristwatches worn by the characters serve as a class signifier, emphasizing their privileged status even in the confines of the underground bunker.

“The End” is a unique and thought-provoking film that delves into themes of hope, despair, and the human condition in a post-apocalyptic world.